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Sunday, May 21, 2006

Big Sleep

It was about eleven o'clock in the morning, mid October, with the sun not shining and a look of hard wet rain in the clearness of the foothills. I was wearing my powder-blue suit, with dark blue shirt, tie and display handkerchief, black brogues, black wool socks with dark blue clocks on them. I was neat, clean, shaved and sober, and I didn't care who knew it. I was everything the well-dressed private detective ought to be. I was calling on four million dollars.

The first paragraph of Raymond Chandler's The Big Sleep is legendary in crime fiction. It has been a long time since I picked up a Philip Marlowe mystery, maybe even ten years since The Long Goodbye ('Alcohol is like love,' he said. 'The first kiss is magic, the second is intimate, the third is routine. After that you just take the girl's clothes off.').

Pulp fiction meets classic tragedy in Chandler's works and the reader hoovers up Marlowe's cynical drawls: "Neither of the two people in the room paid any attention to the way I came in, although only one of them was dead". But there is a quiet heroism that attracts from a time when honour, loyalty and truth were not loaded terms but terms loaded with meaning. And you just might find yourself quipping at the next mercenary merchant rip-off on the cold streets of 21st century urbanity: "Wrong play pal. Innocence will get you nowhere".

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